PRESS AND PUBLICATIONS

2017 Donald Martiny Proves There’s Power Behind Every Brushstroke - Isabel Wong, Hong Kong Tatler

2017 Donald Martiny's Master Strokes - Ann Landi, Vasari 21

2017 Taking Complementary Routes, Married Artists Donald Martiny and Celia Johnson Meet at the Crossroads of Color and Form, Indyweek

2017 Dialectical Praxis: Celia Johnson and Donald Martiny at Fred Giampietro Gallery, DeliciousLine

2017 Pittura a Macchia, an essay by Ann Landi, Madison Gallery

2016 Celebrating 40: Highlights from the Collection, Kathryn Markel Fine Arts

2016 The Artists of One World Trade Center, curated by Edelman Arts

2016 The Blade - Artists remember 9/11 through their work

2016 Professional Artist Magazine - Donald Martiny on His One World Trade Center Artwork, Artistic Process

2016 Woven Tale Press - Brushstrokes are human, personal and intimate

2016 Giant sculptures reveal the secret beauty of paint - Katy French for Visual News

2016 Woven Tale Press - One World Trade Center Installation

2016 Woven Tale Press Vol. IV #6

2016 Philadelphia Inquirer, Art Gallery Exhibitions, Donald Martiny

2016 Donald Martiny - Monumental Gestures, Text by Carter Ratcliff, Deborah Swallow, Lawrence Wheeler, and Charles Shepard III

2016 Huffington Post, Artwork in Progress: A Conversation with Donald Martiny, by Roxie Sarhangi

2015 North Carolina Public Radio - A Chapel Hill Artist paints his way into the World Trade Center, Jon Kalish

2015 One World Trade Center’s Lobby Gets Two Massive Brushstrokes - Artsy, Anna Furman

2015 New American Paintings - South, Editor’s Selections

2014 Philly.com: October First Friday picks: Art, by Allie Volpe

2014 ArtDaily, Complementary Colors: Pentimenti Gallery opens group exhibition

2014 VOGUE LIVING - Australia, Editor Annemarie Kiely rated Martiny among the top 10 "artists to watch."

2014 INTERACT: Deconstructing Spectatorship, East Wing Biennial, The Courtauld Institute of Art

2013 Donald Martiny: Artist Profile, written by Linda Kramer, Triangle Downtowner Magazine, Volume 9, Issue 12 Pages: 16-17

2012 Painting into Sculpture, Marlboro Gallery : Prince George Community College, Curated and written by John Anderson, Associate Professor of Art